Archive for the ‘Radio News’ category

BIFFY CLYRO - Bubbles

March 15th, 2010

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After the mainstream breakthrough of their last album, “Puzzle” (2007), Scottish rock trio Biffy Clyro doesn’t change much on follow-up “Only Revolutions”, which finds the band at their most accessible. Once again they work with hard-rock producer Garth Richardson (Skunk Anansie, Rage Against The Machine), who restrains the prog tendencies of Biffy’s early recordings and keeps the songs short and concise. Featuring Josh Homme from Queens Of The Stone Age on second guitar, “Bubbles” has it all– hammering riffs, adventurous jams, an ear-pleasing chorus, and sharp dynamics make it easily the disc’s most satisfying song.

by Mark Emge

LIL’ WAYNE FEAT. EMINEM - Drop The World

March 15th, 2010

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Thanks to a bravura guest spot from Eminem, “Drop The World” is the lone redeeming track on the universally panned (metacritic.com) “Rebirth”, rapper Lil’ Wayne’s failed bid for rock credibility. Weezy kicks drugged-out rambles about leaving Earth on a spaceship and claims he’s going to “pick up the world and drop it on your head”. Continuing his recent hot streak, however, Em delivers scorching couplets that make Wayne-O look like an impostor. Lil’ Wayne should return to what he does best–and soon. Oh, wait…

by Mark Emge

MARCO MENGONI - Credimi Ancora

March 15th, 2010

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Italian singer Marco Mengoni won the ‘09 third season of Italy’s “X Factor”, then parleyed that success into a third-place finish at this year’s 60th anniversary edition of the Sanremo Music Festival with the song “Credimi Ancora”. His two albums, 2009’s “Si Vola” and the brand-new “Re Matto”, have both gone Platinum in Italy, the latter containing Mengoni’s Sanremo highlight and concluding with a live cover of Eric Clapton’s “Tears In Heaven”.

by Mark Emge

MAÏKA - Embrasse-Moi

March 15th, 2010

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She’s a gorgeous, generous, highly sexed woman. He’s her boyfriend, and he’ll do anything to get out of giving her a kiss. Sound familiar? We didn’t think so. But Sony Music France singer Maika spends her first (and likely last) single and its accompanying video voicing her disenchantment with her lonely predicament. Who knew the French, of all people, needed roofies and a techno beat to get a little romance going?

by Mark Emge

ARCTIC MONKEYS - My Propeller

March 14th, 2010

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Catapulted from obscurity to Internet insta-success in 2006, the barely post-teen quartet Arctic Monkeys squealed and kicked their way onto the UK pop scene. Their debut, “Whatever People Say I Am, That’s What I’m Not”, went No. 1 there and was hyperbolically named the fifth-best British album ever in an NME poll. The Monkeys were believably cynical, irresistibly literate lads, and their second album didn’t stray far from the first. But for “Humbug”, the band teams with an unlikely sage: Queens Of The Stone Age boss Josh Homme, who produced half of the album. It’s an intriguing match, since Homme is a man’s man, and the boyish Monkeys are pasty, pimply, and prone to whiny discomfort. Lead-off track “My Propeller” is the first surprise, with singer Alex Turner moaning like a Nick Cave in training.

by Mark Emge

BEN HARPER & RELENTLESS7 - Lay There And Hate Me

March 14th, 2010

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Guitarist Ben Harper is that rare talent able to not only vacation in the worlds of gospel, soul, folk, and even reggae, but also to meld them gracefully together on both album and stage. Yet sometimes you just want him to rock, and, at long last, he’s assembled a new band dedicated to just that. The bare-knuckled “Lay There And Hate Me” is a head-on collision between soul and rock, a grittier, angrier side of Harper that shines through the Relentless7’s first disc together, “White Lies For Dark Times”.

by Mark Emge

GIANLUCA GRIGNANI - Sei Sempre Stata Mia

March 14th, 2010

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Born in Milan, the artist Vasco Rossi calls “the Italian John Lennon” grew up on The Beatles, The Police, and native touring acts like Battisti. In fact, it was an encounter with Massimo Luca, guitarist for Battisti, who helped get Gianluca Grignani his Polygram deal in 1994. Grigs’ first single was “La Mia Storia Tra Le Dita”, and the next year he stormed the Sanremo Festival’s new artist category with “Destinazione Paradiso”, the title cut of his first album. It was also then that rumors began of the singer’s chemical appetites. In ‘98 Gianluca saw his audience grow with “Campi Di Popcorn”, an album co-produced by Jay Healy (John Mellencamp, Patti Smith). Although now married and a father, Giancarlo still has a knack for getting himself into trouble. The single “Sei Sempre Stata Mia” is off his latest disc, “Romantico Rock Show”.

by Mark Emge

HELMUT FRITZ - Ça Gère

March 14th, 2010

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Born in Reinbek, Helmut Günter von Fritz’s great-granduncle, the baron Titten von Fritz, was trampled to death by a wild boar during a game hunt, leaving Helmut a 300 millions of deutschemarks fortune. Helmut arrived in Paris and lived the high life, but his dissolute existence only resulted in a profound boredom, which was finally relieved when he met DJ Laurent Konrad, who suggests writing a song about…oh, bollocks. “Helmut Fritz” is Éric Greff, a Frenchman who created his character’s phony back story for the song “Ça M’énerve”. That single topped the French charts, so the Jerry Lewis of house music returns with “Ça Gère”.

by Mark Emge

IRENE GRANDI - La Cometa Di Halley

March 14th, 2010

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Born in Florence, singer Irene Grandi spent her young-adult years in bands that traversed the local club scene, not striking out as a solo artist until ‘92 when she hooked up with songwriter Telonio. The song “Un Motivo Maledetto” caught the ear of the CGD label, and soon Grandi had a 1994 self-titled release featuring songs by Eros Ramazzotti (”Sposati Subito”) and Jovanotti (”T.V.B.”) on the way–after the requisite stop at the Sanremo Festival, of course. The best-of compilation “Irene Grandi.Hits” dropped ‘07, and she sang “La Cometa Di Halley” as a contestant once again at the recent 60th edition of Sanremo.

by Mark Emge

ALEXANDRA BURKE - The Silence

March 13th, 2010

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Only two years after Simon Cowell’s “X Factor” star-making machine churned out the Whitney Houston clone Leona Lewis, it gave us Alexandra Burke–a Leona Lewis clone! But Burke is totally different than Lewis. For one, the back cover of Burke’s debut disc, “Overcome”, features a picture of La Burke flashing her bum cheeks, which we really can’t see Lewis doing. She’s also been given a higher percentage of uptempo tunes. But then there’s “The Silence”, a gargantuan power ballad bridging the godless void between Bonnie Tyler and Beyoncé. It’s the kind of song that–well, that Leona Lewis would love (and probably passed on).

by Mark Emge