Archive for April, 2009

MANIC STREET PREACHERS - Jackie Collins Existential Question Time

April 24th, 2009

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Soon after they released their third album, 1994’s art-punk masterpiece “The Holy Bible”, Manic Street Preachers‘ troubled lyricist/conceptualist Richey James Edwards disappeared, his car found abandoned near the notorious suicide spot Severn Bridge (connecting Bristol and Wales). The remaining trio regrouped, setting some of Edwards’ darkly brilliant words to music on the classic “Everything Must Go”. The record was a smash and put the Manics on their arena trajectory, co-lyricist Nicky Wire taking over sole poetics duty. Fifteen years on, “Journal For Plague Lovers” features 13 surviving Edwards lyrics, including “Jackie Collins Existential Question Time”. Wire explains, “There was a sense of responsibility to do his words justice.”

by Mark Emge

LAURA PAUSINI - Un Fatto Ovvio

April 24th, 2009

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As its title suggests, “Primavera Anticipada”, Laura Pausini’s first album of new material in four years, is a new chapter in the Italian singer’s storied career. For the first time she had a hand in writing every song on the album. Yet while the it marks a step forward in Pausini’s career, showcasing a more personalized cycle of songs, in terms of music and style it’s highly reminiscent of her past two albums, “Escucha” (2004) and “Yo Canto” (2006). Considering both were awarded Latin Grammys for Best Pop Vocal Album by a Female, it should come as no surprise. “Un Fatto Ovvio” shows Pausini’s voice is as strong as ever, only this time it’s her own.

by Mark Emge

THE KILLS - Black Balloon

April 24th, 2009

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In the three years between their last LP, “No Wow”, and “Midnight Boom”, The Kills discovered that having fun is actually cooler than searching for haughty minimalist rock perfection. While the duo’s previous snarl was about as savagely spare as possible, their monochrome bleeds color on the new songs, forged out of Alison Mosshart’s dirty glamour and Jamie Hince’s springloaded guitar. “Black Balloon” is as epic as it is vulnerable, slow-building and majestic. Here’s hoping Mosshart’s fronting Jack White’s new band The Dead Weather doesn’t dent The Kills evolution.

by Mark Emge

RÖYKSOPP FEAT. ROBYN - The Girl And The Robot

April 24th, 2009

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Makers of sophisticated dance-pop with more than enough production finesse to intrigue electronica listeners, Norway’s Röyksopp complete their transition from trip-hop maestros to electronic popsters on their third album, “Junior”. As on 2005’s “The Understanding”, the melodies here are unmistakable, whether there’s a star vocal feature or not–and to signal their rising status, there are several, including Robyn’s inter-lifeform torch song “The Girl And The Robot”. An introspective, atmospheric counterpart to energetic “Junior”–called “Senior”–will be released later in the year.

by Mark Emge

PET SHOP BOYS - Did You See Me Coming?

April 24th, 2009

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For nearly 25 years, Pet Shop Boys have been Euro-disco’s poet laureates, setting epigrams worthy of Oscar Wilde to thumping Hi-NRG production. On their excellent 10th album, “Yes”, the music leans toward the ornate, with snatches of Tchaikovsky and spaghetti-western atmospherics enveloping the synths and house beats. “Did You See Me Coming?” and the collection’s other tracks were produced by Xenomania.

by Mark Emge

LILY ALLEN - Not Fair

April 24th, 2009

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UK lightning rod Lily Allen has recently taken to channeling her charming frankness into environmental and social concerns. In addition to her support of PETA, War Child, and the homosexually afflicted, she records at Studio A, the only solar-powered studio in Europe. Lily has also been credited with helping inspire a parliamentary rebellion against Prime Minister Gordon Brown when she wrote members asking them to back an amendment to an energy bill. Similarly global-minded, “Not Fair” addresses that certain kind of boyfriend unwilling to reciprocate on the issue of oral pleasures.

by Mark Emge

BASSHUNTER - Walk On Water

April 24th, 2009

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While journalists may refer to it as “club” or other electronic music genres, to Sweden’s Basshunter (b. Jonas Altberg) his music has always been resolutely “Euro-dance”. The 24-year-old was barely a teenager during the heyday of Fun Factory or Real McCoy, but Altberg achieved multi-Platinum success in mainland Europe with his ‘06 single “Boten Anna,” and topped the UK a year later with an English version of the same. “Now You’re Gone: The Album” is Basshunter’s first English-language disc, featuring remakes of his Swedish tracks. But since the formula is already well past its shelf-life, “Walk On Water” still rocks it like it’s 1993.

by Mark Emge

KATY PERRY - Waking Up In Vegas

April 24th, 2009

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Panned by critics, Katy Perry’s debut pop album, “One Of The Boys”, nevertheless spun off four hit singles of cheeky sass and lyrics designed to titillate the underage-drinking set (”I Kissed a Girl”, “Ur So Gay”). Perry was so hot that her emboldened label issued the sappy ballad “Thinking Of You” with an eye on adult crossover success. How’d that work out? Witness the cheeky sass of titllating party track “Waking Up In Vegas”. Welcome back, Katy Perry!

by Mark Emge

KANYE WEST FEAT. YOUNG JEEZY - Amazing

April 24th, 2009

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Kanye West continues his dark-wave-influenced sonic death march up the charts with “Amazing”. Drawing inspiration from ’80s synth-pop icons such as Gary Numan and Tears For Fears, West found a friend in the sturdy Roland TR-808 Rhythm Composer, the affordable ($1,000 US dollars in 1980!) drum machine that kept time for innumerable contemporary new wave, pop and R&B acts. Rock producer Jon Brion turned on Kanye to the idea that box rhythms can be used to evoke emotion, which West manipulated to produce a distorted, electronic effect he refers to as “heartbreak”. Hence the title of his latest album, “808s & Heartbreak”.

by Mark Emge

ARMAND VAN HELDEN FEAT. NETIC FROM GAME REBELLION - Illin N Fillin It

April 24th, 2009

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Game Rebellion has been making big waves on the New York Afro-punk/Black Rock scene for three years, a band whose metal, punk and rudeboy skanking licks sound as credible and crunchy as their hip-hop lyrics. Internationally raised DJ Armand Van Helden became one of the top names in dance music–first, as one of the top in-house producers for Strictly Rhythm during the early ’90s; second, as a solo artist beginning with ‘96 “Old School Junkies: The Album”. Since then he’s remixed the stars, including a worldwide No. 1 for Tori Amos (”Professional Widow”). What do you get when you throw the two together? “Illin N Fillin It”!

by Mark Emge