Archive for March, 2009

BJÖRK - The Dull Flame Of Desire

March 27th, 2009

bjork-001
On 2007’s “Volta”, Icelandic avante-chanteuse Björk succeeded in striking a balance between the vibrancy of her poppier ’90s work and her experiments in the ’00s, finding harmony and between seeming opposites– the record contains contributions ranging from Timbaland to Antony Hegarty of The Johnsons. “I’d done two or three projects in a row that were quite serious,” the pixie explains, “so all I wanted to do for this album was just to have fun.” “The Dull Flame Of Desire” captures swooning romance by pairing Björk and Hegarty’s equally unique voices with a slowly building rhythmic tattoo courtesy of Lightning Bolt drummer Brian Chippendale.

by Mark Emge

DIDO - It Comes And It Goes

March 27th, 2009

dido-001
Born Florian Cloud de Bounevialle Armstrong, Dido’s songs of atmospheric melancholy bear her scars. “Florian is a German man’s name,” she complained to The Observer. “That’s just mean. To give your child a whole lot of odd names…I thought it was cruel to call me Dido and then expect me to just deal with it.” That’s the kind of thing that happens when a French poet (her mother, Clare, née Collins) marries an Irish publisher (father William). Luckily, hit albums tend to absorb some of the sting. “It Comes And It Goes” is off Dido’s “Safe Trip Home”.

by Mark Emge

WEEZER - The Greatest Man That Ever Lived

March 27th, 2009

weezer-1
Weezer bassist Scott Shriner says “The Greatest Man That Ever Lived” is “a masterpiece that includes 10 different styles of music based around a common theme.” We noticed primarily the rapping that Rivers Cuomo’s grown so fond of lately, but guitarist Brian Bell’s mother mentioned the track sounded similar to a hymn that her church choir sang. The band looked it up, and Ma Bell was right: the melody was so similar to “Simple Gifts” that Weezer subtitled the song on their recent “Red” album “Variations On A Shaker Hymn”.

by Mark Emge

ALESHA DIXON - Let’s Get Excited

March 27th, 2009

alesha-dixon-001
Former Mis-Teeq member Alesha Dixon was taking a train on her way to pursuing a university degree in physical education when a record producer who happened to be sharing the car asked her if she could sing. Funnily, on the way back home she was asked by another stranger if she was in a band. So Alesha did the practical thing, putting her degree on hold to take up singing. Mis-Teeq released the albums “Lickin’ On Both Sides” and “Eye Candy”, before a solo career beckoned. Each of her singles has charted higher than its predecessor; her last, “Breathe Slow”, peaked at UK No. 3, so “Let’s Get Excited” about reaching that top spot.

by Mark Emge

THE ZUTONS - Beautiful

March 27th, 2009

the-zutons-2
With music difficult to categorize, Liverpool’s The Zutons have found their sound typically described as “psychedelic cartoon punk”. Part of the same Merseyside scene that produced The Coral, the band’s debuted album, “Who Killed… The Zutons?”, slowly simmered to a boil over 2004-05, rising to No. 9 and grabbing a Mercury Prize nomination. Then Amy Winehouse sang a jazzy version of the band’s “Valerie” for Mark Ronson’s solo record, which became an international hit and outsold the original. The Zutons’ cover of Christina Aguilera’s “Beautiful” is on the third volume of Jo Whiley’s “Live Lounge” comps.

by Mark Emge

FLO RIDA FEAT. WYNTER - Sugar

March 27th, 2009

flo-rida-001
If you’ve heard the Billboard Hot 100 No. 1 single “Low,” you know the deal: Flo Rida is not the new Ruff Ryder named Florence, but a male rapper with a husky-yet-unimposing voice who takes obvious pride in the US state he calls home. On the album “Mail On Sunday”, Flo shows flashes of virtually every point in the history of Florida hip-hop, from Miami bass, 2 Live Crew, and Poison Clan, to Trick Daddy and Rick Ross. Flo Rida reveals his own, less sleazy, identity, however–for all the smack talk and the automotive fixation, he comes off big-hearted enough to make an R&B album. “Sugar” is sweetened by Wynter, whose songs have been recorded by Mary J. Blige and Danity Kane.

by Mark Emge

AMARAL - Perdóname

March 27th, 2009

amaral
Comprising of songwriters Eva Amaral (vocals/guitar) and Juan Aguirre (guitar), Spanish pop/rockers Amaral first met in 1993 in Zaragoza, where Eva was the drummer in Bandera Blanca, Juan strumming the guitar for Días De Vino Y Rosas. They left those groups and formed their own in ‘97, moving to Madrid and signing a deal with EMI. The following year they debuted their self-titled collection; 2002’s “Estrella De Mar, marked their mainstream breakthrough, peaking at No. 1 and spawning five chart-topping singles. After a few years out of the spotlight, Amaral returned in 2008 with the hit double album “Gato Negro/Dragon Rojo”, including “Perdóname”.

by Mark Emge

THE-DREAM FEAT. FABOLOUS, JUELZ SANTANA, RICK ROSS & LUDACRIS - Rockin’ That Thang

March 27th, 2009

The-Dream calls his upcoming ‘09 collection, “Love Vs. Money”, “like the first album”–last year’s “Love Hate” blockbuster–”on crack.” Indeed, “Rockin’ That Thang” is a cheap, addictive, dangerous high. This loquacious rap remix is a summit of rhyming talent, the mic passing from Fabolous to Juelz Santana to Rick Ross and finally Ludacris. East Coast reprazentin’!

by Mark Emge

STADIO - Gioia e dolore

March 27th, 2009

stadio-001
Forming in 1979 after backing a session for Lucio Dalla, Stadio remain one of the premier bands in Italian pop even after numerous personnel changes. They earned their first mainstream attention via the one-two punch of “Allo Stadio”, a popular and critical favorite at the ‘83 annual Sanremo Festival, and their signature hit, “Chiedi Chi Erano I Beatles”. Turnover left singer Gaetano Curreri and drummer Giovanni Pezzoli as the only remaining original members, but that didn’t slow the hit machine, with return engagements at Sanremo in ‘99 and ‘07. A little grayer but otherwise undaunted Stadio are back with “Gioia E Dolore” from “Diluvio Universale”. (www.stadio.com)

by Mark Emge

DOVES - Kingdom Of Rust

March 27th, 2009

doves
Doves‘ Williams brothers (Jez on guitar, Andy behind the drums) met their future bassist and singer, Jimi Goodwin, as schoolmates, but didn’t hook up until running into each other at Madchester ground zero, The Hacienda Club, in ‘89. As Sub Sub, the trio released the singles “Space Face” and “Ain’t No Love (Ain’t No Use)”, which reached No. 3 in the UK in ‘93. On the Williams twins’ birthday in 1995, however, the band’s studio caught fire and burned down, leading them to abandon their previous dance-oriented style and start afresh as cinematic rockers Doves in ‘98. “Kingdom Of Rust”, produced by Massive Attack programmer Dan Austin, is the title song of their upcoming album.

by Mark Emge