Archive for November, 2008

MYLENE FARMER - Appelle Mon Numéro

November 28th, 2008

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Quebec-born, Paris-raised singer, actress, writer, and décolletage enthusiast Mylène Farmer (née Gautier) and her musical collaborator, Laurent Boutonnat, have expanded the Birkin-Gainsbourg bedroom fantasy into an entire cosmology of sighing songs and pensive, melancholy, fitfully seductive videos in which fin de siècle libertinism is the motive and intoxicated hallucination the saving grace. Consequently, since 1985, she has sold more than 25 million records, making Farmer one of France’s most successful recording artists and one of the true pretexts for YouTube. “Appelle Mon Numéro” is another of one those sweet little things she does, from her umpteenth album, “Point de Suture”.

by Mark Emge

THE PUSSYCAT DOLLS - I Hate This Part

November 28th, 2008

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Although this model was built for looks, not performance, Interscope records puppeteer Jimmy Iovine doesn’t skimp with the songwriters and producers behind his all-female burlesque revue-cum-recording act The Pussycat Dolls. Timbaland, The Clutch, Cee-Lo, Darkchild, and Lady GaGa, among scores more, were enlisted for their “Doll Domination” sophomore collection. “I Hate This Part” reminds us that even a glamorous pin-up rues a break-up.

by Mark Emge

WHITE DENIM - Let’s Talk About It

November 28th, 2008

With their self-released EPs, including “Let’s Talk About It”, Austin, Texas’ White Denim have built a buzz as the next heroes of fuzzed-out psychedelic power-blues, in the style of anti-chromatic compatriots White Stripes and the Black Keys. But their debut LP “Workout Holiday” unmasks the trio as jam-band virtuosos with an unlikely knack for concise songs, post-rock that actually rocks. Favoring a bright, treble-heavy guitar attack, the group skews their arrangements in ways that feel more canny than contrived. (www.whitedenimmusic.com)

by Mark Emge

THE KILLERS - Human

November 28th, 2008

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You can’t get more American than Las Vegas, hometown of The Killers, but it says a lot about their neo-New Wave sound that they were signed by a UK label. If debut “Hot Fuss” was their “Seven And The Ragged Tiger”, and follow-up “Sam’s Town” their “Rattle & Hum”, then third album “Day And Age” is…something in-between. Brandon Flowers told Rolling Stone that first single “Human” is “like Johnny Cash meets the Pet Shop Boys,” The Observer that it’s “a cross between New Order and Bruce Springsteen.” You get the idea.

by Mark Emge

MICHAEL MIND - Baker Street

November 28th, 2008

If someone were to tell you that a DJ had recorded a house version of Gerry Rafferty’s saxophonic hit “Baker Street”, you would naturally ask, “Is that even possible?” Upon hearing German disco maven Michael Mind’s take you may have other questions, but do it he did. Of course Mind is the same DJ who house-partied Manfred Mann’s cover of “Blinded By The Light” and reworked Christopher Cross’ desperado tale “Ride Like The Wind” into a Hi-NRG anthem, so this guy has some pretty special theories on the aesthetics of dance music. Can disco-fied Poco and four-on-the-floor Doobie Brothers be far behind? Stay tuned…

by Mark Emge

MICHAEL BUBLE - Let It Snow, Let It Snow, Let It Snow

November 28th, 2008

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It’s almost mythological: Michael Bublé’s career breakthrough came when Michael McSweeney, associate to former Canadian Prime Minister Brian Mulroney, saw his performance at a business party. McSweeney complimented Bublé’s performance, so the singer gave him a demo, which McSweeney in turn passed along to Mulroney and his wife. Bublé was then invited to sing at the wedding of Mulroney’s daughter, where he was introduced to David Foster, a multi-Grammy Award-winning producer and Warner Bros. record exec, who signed Bublé and produced his debut album of standards, making him rich and famous. We’re pretty sure there should follow some intrigue involving the deposed king’s daughter asking a favor of the newly wealthy and influential court jester, but until that happens, enjoy “Let It Snow, Let It Snow, Let It Snow”, from the jester’s holiday EP.

by Mark Emge

MAYRINA CHEBEL - Tant D’amour À Donner

November 28th, 2008

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New French soul sensation Mayrina Chebel moved to Paris in ‘06 to chase a singing career, a dream of hers since she saw Lauryn Hill in “Sister Act 2″. “I found an apartment and a job in a law firm,” she recounts, “before meeting a producer through a friend”. They went out to dinner, she sang for him, and that was that, proving dreams do come true. Mayrina’s debut album, “Elsewhere”, is an nice middle-ground between emotion and groove, its first single, “Tant D’amour À Donner”, a promising start for the talented newcomer.

by Mark Emge

KATY PERRY - White Christmas

November 28th, 2008

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Opened by two aspiring American screenwriters — because no one has more free time and money than aspiring screenwriters — The Hotel Café is a Los Angeles coffee shop/music venue that has become known for jumpstarting the careers of female singer-songwriters such as Sara Bareilles, Brandi Carlile, and KT Tunstall. “The Hotel Café Presents: Winter Songs” furthers the brand with 15 tracks of chick-rocked holiday favorites, including Katy Perry’s sultry jazz vamp through “White Christmas.” (www.hotelcafe.com)
Katy Perry at Discoogle

by Mark Emge

KAISER CHIEFS - Good Days Bad Days

November 28th, 2008

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Golden production finger Mark Ronson enlisted Lily Allen to sing Kaiser Chiefs‘ “Oh My God” on his latest solo album, “Version”, and ended up producing the band’s next record. He imbues “Off With Their Heads”‘ spiky Brit-rock with his Pop and Dance music flair much the same way he did Allen’s and Amy Winehouse’s music, throwing strings, synths, live and programmed drums, and horns against the guitars for a new-wave mix. “Good Days Bad Days” shows Kaiser Chiefs reminding their traditionalist UK competition of the playful spirit of British rock that many seem to forget. It’s one of the best songs by one of Britain’s best bands.

by Mark Emge

FRED EVERYTHING - Light Of Day

November 28th, 2008

Quebec City deep-house DJ Frédéric Blais’ career began in earnest in 1993 when, as Fred Everything, he opened for Sasha at the Metropolis club night in Montreal, which he eventually made his home after building up a reputation in the US and Canada. After years on the club circuit he moved to the UK and released his first full-length, “Everything Under The Sun”. The good-time sound of “Light Of Day”, first heard on Fred Everything’s second album of the same name, sounds as fresh today as it upon first release in ‘04.

by Mark Emge